A Tiny Beast of Motion — Why the Shark Slider PICO Has Me Counting Days

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Blackmagic Design has dropped some quite exciting updates at IBC 2025. If you’ve been watching developments in the RAW & post-production world, their latest announcements will likely change how many filmmakers shoot, edit, and deliver content.

What’s New

1. ProRes RAW lands in DaVinci Resolve 20.2
   With the release of version 20.2, Resolve now officially supports ProRes RAW. This opens up more flexibility for creators who want the fidelity and dynamic range of RAW while working in an ecosystem many already use.

2. Pocket Cinema Camera 4K joins the party
   Even though it’s an older model, the Pocket 4K gets ProRes RAW support. So you’ll have a choice: shoot in Blackmagic RAW (BRAW) or ProRes RAW. For many, this gives creative and workflow advantages depending on the project.

3. BRAW expands to Sony’s FX cameras
   If you own Sony FX cameras (like FX3, FX30, FX6, FX9), you’re getting something new too. BRAW support will be coming — FX3 / FX3A / FX30 first (October), then FX6 and FX9. This means you can shoot in BRAW directly (with compatible hardware) or through add-ons like Video Assist.

4. Apple & iPhone collaboration ramps up
   Blackmagic continues to build ties with Apple: cameras and apps that support Apple Log, ProRes RAW, genlock/timecode options, etc. As phones become more capable cinema tools, these integrations matter.

5. More than just codecs
   The new Resolve update isn’t just “throw in ProRes RAW and call it a day.” There are additional editing, audio, and AI tool improvements that together promise a smoother post pipeline.

   
   
   

What It Means for Filmmakers

• More codec options = more flexibility. Depending on your gear and your workflow, you can choose what suits you best: BRAW, ProRes RAW, or a mix.

• Older cameras can gain new life (like the Pocket 4K), but check whether your hardware has the processing power (e.g. Video Assist 12G).

• If you use Sony FX cameras, these updates may simplify your workflow since BRAW is being added.

• Collaboration with Apple suggests phone-based / mobile workflows will continue to gain respect in “pro” circles.

  

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Possible Drawbacks / Things to Watch

• ProRes RAW support is hardware-dependent. Older or under-powered hardware may struggle or not support it at all.

• The exact frame rates, resolutions, etc. with ProRes RAW on certain devices are not fully confirmed yet.

• Adopting new codecs may require updates to storage, post workflow tools, and compatibility checks.

Conclusion

This feels like a turning point: Blackmagic is embracing a more open, flexible RAW ecosystem. Between ProRes RAW integration and extending BRAW into new camera lines, filmmakers have more choices. If you shoot video, this could mean better quality, more efficient workflows, and more creativity.